As a character, Pusha only offers so much. He’s Marlo before the fall, a cold, meticulous, and godless student of pushing powder. But Pusha is more knowing, more creative than that. He’s subject, not object; no mere character, he’s, a gifted pulp author with a laser-sharp (and at times questionable) focus and no lasting use for reflection. If anything, Pusha is more Slim Charles, dispensing wisdom as the all-knowing insider, the storyteller who has seen so much he operates at a distance.
It’s the 10th anniversary of Clipse’s Lord Willin’. Inspired by my brother’s piece about the album in its time for Stereogum, I dug up this essay I wrote for The Philadelphia Independent on “Grindin’” and drug lingo. It’s not online, so major thanks to B. Michael Payne for this rather unorthodox reconstruction. Click to enlarge and read.